Spunky kids, political intrigue, a kidnapping, spaceships, surprises, a twisted villain, clever AI, mysterious aliens… What more could you want? In this case, not much. The setting is the future a couple centuries from now. Humanity has discovered a means to get from one place to another faster than light, and people from Earth have colonized space. They’ve accomplished much, but they are far from enlightened. They still have greed, fanaticism, war, corruption, and reality shows.
Hollow Moon is an imaginative and well-told tale centering on Ravana, the daughter of a space freighter captain living in a hollow moon orbiting a distant star. When she witnesses the kidnapping of the young Raja, the heir apparent of her small, inside out world, she becomes involved in far more than she expected. What she does not know is that she was already involved.
Hollow Moon is a refreshing alternative to the bulk of Young Adult speculative fiction I’ve seen in the last several years. The story is engaging. It has well-defined and well-developed characters, a fairly intricate but easily comprehensible plot, a few smiles, and, most appreciated of all, it’s NOT fantasy! It’s science fiction, and most of the science is reasonable. Okay, there was one scene with an unbelievably strong rope and a serendipitously placed wagon, and a girl who can resist a force that several tons of stone elephant cannot but, well, that’s just details. Actually, I doubt many readers would even question something like this. And then there was the school band that played Alpha Centauri by Tangerine Dream. Um, well, yeah, that’s not a violation of the laws of physics, and it’s cool, but I can’t see a school band attempting it. It’s 22 minutes long and sounds like some kind of ethereal improvised jazz bit done on flute and synthesizer. I know; details, and this one, despite being unlikely, made me smile, so it gets a pass on credibility for the sake of subtle humor. Actually, there are several gems such as this—allusions to contemporary culture scattered about and in chapter titles.
The story is written from an omniscient point of view with numerous characters sharing the spotlight. I did not find this at all confusing because the characters are sufficiently distinct. It is clear who the camera is on at any point. There were a few places where the adults seemed slightly too juvenile, but this is a YA novel and this seems to be common for those. This book does a better job with this, in fact, than I have seen in other YA stories, and in Hollow Moon, sometimes the adults actually act and sound like adults. The pace is fast enough to keep the plot moving, but it’s not frantic.
On the more technical side, the editing is more than adequate, although comma usage may not be exactly according the Chicago Manual of Style for fiction writing. I’ve noticed this is also true of science fiction and fantasy novels from bigger publishers, which may follow their own style guides for punctuation.
I normally comment on formatting in my reviews only when it is dreadful. In this case, I’m commenting on it because it was exceptional. It is obvious that a great deal of attention was paid to formatting Hollow Moon as an eBook. I see so many digital editions, especially from older, traditional publishers where the formatting is dreadful with double spacing, no paragraph indents, or no breaks between chapters. I don’t know if this is because they regard digital books as an afterthought or if they simply aren’t good at it, but Hollow Moon had none of these flaws. It even included embedded links for previous and subsequent chapters at the start of each new chapter (unnecessary but thoughtful).
Hollow Moon has charm, intelligence, and wit, and it is one of the most enjoyable YA stories I’ve read in a while. I highly recommend it for readers of YA science fiction.