The odd future described by this book is both depressing and hopeful. It is a world in which humans regularly retreat into virtual reality, often corresponding to their chosen ‘belief circles,’ as an interface to the real world and yet they remain curious, productive and creative. There are large ‘Big Brother’ governments but they are mostly benign. There is very little privacy and yet people seem to respect one another’s individuality. There is an ever looming threat that terrorists will use real weapons of mass destruction against civilians but people in general seem to honestly abhor violence. People group themselves into belief circles with complex mythos based on various things from Terry Pratchett’s Discworld to something that sounds much like Pokemon but these seem to be viewed more as matters of taste than uncompromising religious “truths” so there remains room for compromise and agreement among their followers.
This juxtaposition of positive and negative extends to the characters. It is told from multiple points of view, primarily that of Robert Gu, once a renowned poet and a complete jerk in his personal life who is being successfully treated for several aging related illnesses including Alzheimer’s. Once he begins to regain his mind, he starts out as the SOB he used to be but he grows into far more empathetic person. The antagonist, Alfred Vaz, is attempting to develop something that sounds very much like mind control but he is doing so in an effort to protect people and create a more peaceful world and he is honestly upset when Gu’s granddaughter is endangered because of events that unfold ultimately from Gu’s efforts to stop him.
The book requires some work on the part of the reader. First of all the virtual reality aspect often makes it difficult to tell what is “real” and what isn’t. It also isn’t a simple good guy versus bad guy adventure tale. The characters are more complex than that and they grow and change through the course of the book. And there are a few loose threads left hanging, most notably who or what is “Rabbit?” But I hesitate to call these flaws. This ambiguity is part of the theme of this book and Vinge’s merging of dystopian and utopian views of the future make this an interesting and thought provoking read.
In the first post in this series, I defined a work of positive fiction as one that conveys a hopeful, optimistic, or other positive mood. In the second post, I argued that the positive image of humanity that supports this mood in science fiction is a realistic one. In this, the final post of the series (or the last one I’ve planned anyway), I will discuss why I think positive science fiction is especially appealing and why I think there should be more of it.
I struggled with how to present this case because there are several points that need to be made. Let me start out with this one, which may be a bit controversial. Speculative fiction is fundamentally a more intellectual genre than others. That may be something of a value call though so let me rephrase it. Speculative fiction, especially science fiction, causes us to step outside our current world and look back at it. In this way it is the most philosophical and scientific of fiction genres because it can question pretty much anything. Every belief, every assumption, every aspect of culture is open to scrutiny. Like other genres, speculative fiction begins with our real world but it isn’t set there. It wouldn’t be speculative if it was. Something must be different and I don’t mean just ray guns or flying cars. The addition of some high tech hardware or alien life does not make a work of fiction speculative by itself. I try to avoid the pejorative use of the term ‘sci-fi’ (sometimes pronounced skiffy) because I don’t necessarily agree that the distinction between sci-fi and SF is as clear as some seem to believe. But a novel with flying cars isn’t true science fiction if all other aspects of the setting are essentially the same as those where the reader lives. It may be ‘sci-fi’ but not SF or speculative fiction.
Science fiction posits a truly different world that would feel strange to us if we were dropped into it. It can have flying cars or ray guns or even ghosts, gremlins, or two-headed crocodile gods but these must have some plausible explanation, at least plausible enough for an intelligent reader to suspend disbelief for the sake of the story. I hope this doesn’t sound elitist but some means of differentiation is needed.
Speculative fiction often begins by asking, “What if?” What if history unfolded differently? What if something happens tomorrow that challenges our current assumptions? What would we do? How would our world be changed? Many works of soft science fiction especially look at current human cultures and contrast them to what could be. They remind us that human society as it exists today is just one of an almost infinite number of conceivable possibilities, some of which may appear better and some worse.
This questioning of everything is the defining characteristic of speculative fiction and it is what sets it apart from other fiction genres. It is also what makes some people truly dislike it. This brings me to my next point.
People who read speculative fiction are especially bright. The intellectual challenge of being exposed to a different world where very little can be assumed excites them. They want to figure out what makes this fictional world different from their own and how it works. They are open minded and willing to entertain questions about their own beliefs and assumptions. They understand that they occupy a single point in space-time and that it is not a privileged position. Not everyone is comfortable with this. Some may not be capable of it. But speculative fiction readers thrive on such mind stretching questions.
In all speculative fiction something is different than it is in our world and science fiction stories show us how people are affected by those differences. In order to do this believingly, or entertainingly in the case of fiction that is humorous, satirical, or intentionally unbelievable (e.g. The Hitchhiker’s Guide to the Galaxy), the author needs an understanding of humanity and how it might react to such differences, which brings us back to that underlying question about the fundamental nature of mankind. The one thing fictional stories must retain is a realistic image of humanity otherwise readers will not be able to identify or empathize with the characters.
The types of people who are drawn to speculative fiction are capable of asking big questions and they are capable of seeing the big picture. I believe that are also likely to understand that a species such as our own cannot go from flint knives to spaceships without having something going for it. Humanity has demonstrated that it can accomplish great things and readers of speculative fiction especially are likely to appreciate this either consciously or subconsciously. If a fictional story is based upon the mistaken premise that humanity as a whole is stupid, warlike, aggressive, cruel, and selfish then the story will seem contrived to them. They may have a hard time understanding exactly why but it will feel wrong.
For intelligent and insightful readers such as these, positive science fiction can provide a tonic to cure the misconceptions about humanity and its future that the news and mainstream fiction can convey. It can remind us that humanity has progressed and is likely to continue to progress, it can help us put current events into a more historical perspective so they can be seen more accurately, and it can reaffirm a sense of hope and optimism for our future.
Consider what is sometimes referred to as the Golden Age of science fiction in the middle of the last century. The stories that mark this period were often a celebration of human achievement and they inspired not only a sense of wonder about the universe but a hopeful image of continued human exploration and discovery. Stories such as these are the true roots of science fiction. They were a different type of story for a different type of reader and I think part of their appeal was because they were based on a truer understanding of what humanity was and what it is capable of.
It may be something of a cliché but fiction really does shape our future. This is especially true for science fiction. I attended the 100 Year Starship Symposium sponsored by DARPA, the Defense Advanced Research Projects Agency, which was held the first weekend of October 2011 here in Orlando. This was a gathering of scientists, engineers, and even science fiction writers and philosophers to discuss the future of human space exploration. A point that was made in several talks was how much science fiction had inspired people. One speaker said that an impromptu survey he took of his engineering students revealed that over 80% of them listed Scotty from Star Trek as their primary motivation for going into that discipline. The works of Asimov, Heinlein, and others from the golden age of science fiction were also credited as being major inspirations for scientists and engineers.
Think about that and consider what current mainstream science fiction might be inspiring young people to become if anything. As writers it is our job to entertain, not shape the future but intentionally or not this is something that fiction can do. And I think we should ask ourselves if we are helping to create a bright future or a dismal one.
I would like to see science fiction return to its golden age roots. Other fiction genres can take the dark side but true science fiction should not. I suppose a subgenre distinction could be make between “mainstream” science fiction, which follows the tone and mood of other genres to appeal to wider audiences and “true” or “positive” science fiction, which carries a more hopeful (and truer) tone and mood but I can find no indication that this distinction is being widely made. Perhaps it should be.
Positive Science Fiction Part 1 – Emerging From The Dark
Positive Science Fiction Part 2 – Understanding Humanity
The 100 Year Starship Symposium (100YSS) – Resurgence of a Dream
On Digital Books And The Evolution Of Genre Fiction
Why Are Good Books So Hard To Find?
Beyond Genre – Tone And Mood
Beyond Genre – Novels And Emotional Needs