A blind astronomer in charge of an observatory being built on the far side of the moon sacrifices safety in his obsession for winning a Nobel Prize.
A highly competent engineer falsely convicted of negligent homicide on Earth tries to redeem himself on the moon by taking performance-enhancing drugs.
A beautiful woman seeks revenge for a broken heart, heedless of the collateral damage she may cause.
These are just a few of the flawed characters populating Farside.
In some ways, this book feels like a 1950s detective novel—but without the detective. The characters and prose seem more suited to that genre than a modern space opera. When, in the first chapter, a young post-doc reflects on what a hunk the guy sitting near her on the rocket ship is, I began to regard it as such rather than as serious science fiction. If you look at it this way, this is a fine story. There is intrigue, mystery, believable characters with understandable (although often juvenile) motivations… Unfortunately, none of these things fit well in this setting.
The observatory station feels like a regular office complex (but with airlocks). The characters seem like average people.
And that’s the problem. This isn’t most places. It’s an observatory being built on the moon. It includes the largest interferometer ever constructed, which is intended to make observations of what may be the first truly earthlike planet ever discovered, and which all known laws of astrophysics say should not exist in orbit around Sirius. In other words, it’s an important place from a scientific standpoint. One would expect that only the best and the brightest would be working there. The characters in this book are clearly not that exceptional.
This is still an engaging story. The characters, although not well suited to this setting, would be believable in others. They may not be exactly likeable, but each has some attributes most of us can identify with. But there is no ‘sense of wonder’ you get from the best science fiction.
This book may be intended to set the scene for Bova’s next novel in his Grand Tour series, New Earth, in which a human expedition is sent to the mystery planet orbiting Sirius. I’ll probably read it.
It’s not great science fiction, but I can recommend Farside to readers looking for a serviceable story about ambition, revenge, and redemption with a bit of space science thrown in.
I picked up this book mainly because Jack McDevitt was one of the authors. He’s a nice guy to sit and chat with, if you ever have a chance, and his books often have an old fashion pulp science fiction flavor that I rather like. The Cassandra project does, which is good in some ways, but in this particular case, I think the ending suffers as a result. I’ll try to explain why later without too many spoilers.
The story is set in the U.S.A. in 2019. The world economy is in the doldrums, the rich have gotten richer, and NASA has been underfunded for years. Some people are dismayed by the fact, but no one doubts that the last moon landing was in 1972. However, there are recent rumors that Apollo XI in 1969 may not have been the first. Were there two secret landings before this, and, if so, why?
This is the central mystery of the story. It is told from multiple points of view, but the main character is Jerry Culpepper, who enters the tale as the public affairs director for NASA, and he comes to suspect that there may be some truth to the rumors. The official position he is told to convey is that there is not. He eventually quits because of this. You have to admire his personal integrity.
The other central character is Montgomery “Bucky” Blackstone, Owner of Blackstone Enterprises, Blackstone Development, and Blackstone Innovations. He’s a bit crude and extremely arrogant, but he’s a likeable rogue. Essentially, he’s a grown up kid with a LOT of money. One of the things he wants to do with it is to go to the moon — not for any noble purpose, really, but because he’s always wanted to be an astronaut, and he thinks money can be made in space.
One scene that resonated with me was a not too subtle slap at traditional publishers. In it, Jerry, after leaving NASA and realizing he needs an income, briefly takes a job with a small publisher in Wisconsin. He is given a manuscript, for which he holds no high hopes, and unexpectedly finds that it is fantastic. One of the best things he’s ever read. He tells his new employers, and they tell him to write a nice rejection letter. Why? Because, they explain, they are not in business to publish what’s good. They’re in business to publish what sells. This got a smile from me because I’ve concluded much the same thing, and it’s why more and more of my reading list is comprised of ‘indie’ published books now. That’s all beside the point, I suppose, but I wanted to mention it, and since I’m writing this, I can.
A minor point of annoyance came when Jerry, needing some analysis done, turns to someone at the University of Central Florida in Orlando. Why didn’t he contact the Florida Institute of Technology instead? It’s physically closer and probably has stronger ties to NASA than UCF does. This probably would not bother someone outside the area, but it struck me as not making sense. Like I said, just a minor point.
I don’t think it’s a spoiler to reveal that in the course of the novel, clues are uncovered and the mystery is explained. I found it a bit contrived, and I think a better explanation consistent with all the clues up to this point was possible. When I reached the end, I wondered if the brief scene about Jerry’s experience working for a publisher was a clue about why this particular ending was chosen. I have no evidence of that, of course. It’s just idle speculation.
You may want to stop reading now because the next bit is a sort of spoiler, but I’ll try to keep it vague. At the end, those who can, choose not to reveal the full truth to the world. Instead, they decide to perpetuate a deception originally contrived by the Nixon administration to manipulate the Soviets (although I could not see how this would have worked on them). The deception provides a depressing and cautionary message that seems designed to preserve the status quo. The true account seemed far more hopeful and could encourage human cooperation and progress. After the last sentence, I couldn’t help wondering why they all agreed to perpetuate the lie.
Up until the last chapter, this is an interesting mystery full of secrets and conspiracy. The characters are likeable, the dialogue is believable, and the prose is suitable for the genre. Pulp sci-fi fans who also enjoy a good conspiracy novel may want to pick this up, but if you are looking for something like McDevitt’s highly enjoyable Alex Benedict novels, this isn’t one.
Somewhat Related Posts: