Query Status ~ Week 1
Over the course of three days last week, I sent queries to 36 literary agencies. I am happy to report pretend that most of them are still seriously considering my latest book. Sadly, nine others must have illiterate monkeys with absolutely no taste monitoring their emails because they almost immediately sent back rejection letters (one within only a few hours of me sending the query).
Okay, that’s unfair. Perhaps they’re not actually monkeys, but they clearly don’t realize what a unique opportunity they’ve just denied themselves. (Listen, lying to yourself is something an author has to do in order to keep writing, so it’s either disparage the good taste and wisdom of some unknown interns at a few obscure literary agencies or curl up into a fetal position, drool into my bellybutton, and admit that I’ve wasted the last seven years of my life.) Regardless of who or what caused those rejections, I am sure that my latest manuscript could find a large and appreciative audience, if given a chance. It’s good. I mean, really good. It had me laughing and nodding my head when I proofread it, and I knew what would happen next.
Which makes me wonder….
We’ve all heard stories about how many agents and/or publishers rejected queries for books that later went on to being bestsellers and were sometimes even mangled into blockbuster movies. The current favorite anecdote is about how J.K. Rowling received ‘loads of’ rejections before she finally found a publisher for her Harry Potter books, and she is far from the only writer with a story like this.
A moment on Google led me to this site, which lists several: http://www.litrejections.com/best-sellers-initially-rejected/ It’s not the only one like this out there, and it mainly focuses on rejections from editors, but the point remains valid. Now, you may not agree that all of the listed books are good or even readable, but the fact is that each and every one of them did find an appreciative audience. The agents and publishers who rejected them missed out on amazing opportunities.
So I have to wonder. Are there consequences? There are for the authors, obviously. The snap decisions made by agents and editors can substantially change their lives. But what about for the people who made those decisions? Did those who rejected Rowling’s queries all keep their jobs? Do they still sleep well? Do their peers make fun of them? Do they look in the mirror every morning and see an idiot?
I don’t know. They may not even remember whose queries they’ve rejected among the thousands they get each year. I have a feeling, and I’m not sure I’m right, that agents are more afraid of taking on a book they can’t sell than they are of rejecting one that later goes on to be immensely popular. There are consequences for the first. If nothing else, they’ve wasted their time. But rejections might be safe. If the author doesn’t keep a record of these and disclose it afterward, who is going to know?
Somehow, this just doesn’t seem fair.
But, for now, 27 agents still have a chance to appreciate the opportunity I’ve given them. I do hope they don’t screw up.